There isn’t much third-party competition at these focal lengths and native glass is always going to guarantee perfect focusing performance with your camera. A long focal length lens with close focusing abilities and a high magnification ratio, this macro lens is ideal for making close-up, detailed images of nearby subjects. Tamron 17-28mm f/2.8 Di III RXD Lens ($899): Comprising a flexible wide-angle range, the 17-28mm f/2.8 Di III RXD from Tamron is a versatile zoom for full-frame Sony E-mount mirrorless cameras. Despite its compactness, the super wide-angle Zeiss Loxia 21mm f/2.8 Lens offers outstanding image performance – and it is extremely sharp all the way to the corners. A bright f/2.8 maximum aperture is useful for working in a variety of lighting conditions and the minimum f/32 aperture helps to attain a long depth of field when working with close-up subjects. It is also the most expensive lens on this list. Sony’s option is the 90mm f/2.8, and I can verify from personal experience that it is amazing. Full List of Recommended Sony a7 III Lenses, All-in-One Lens | Portrait Lenses | Macro Lenses | Street & Walk Around Lenses | Wide-angle Prime Lenses | Ultra Wide Angle Primes | Wide-angle Zoom Lenses | Standard Prime Lenses | Standard Zoom Lenses | Telephoto Prime Lenses | Telephoto Zoom Lenses | Super Telephoto Zooms. This 12-24 mm lens is an ultra wide-angle lens that meets the highest demands. Offering outstanding image quality, impressive 10 fps continuous shooting rate, improved autofocus performance and UHD 4K video, the Sony a7 III is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Sony FE 70-300mm f/4.5-5.6 G OSS ($1,198): Ideal for travel, landscape and wildlife photography, the newly announced FE 70-300mm f/4.5-5.6 G OSS lens features a state-of-the-art optical design including four aspherical glass elements, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, which all work together to effectively suppress spherical aberration, distortion, and chromatic aberration. Along with the acclaimed FE 400mm F2.8 GM OSS lens, the new 600mm gives professional sports, wildlife and news photographers more options for capturing subjects at great distances with extreme accuracy and detail. Built-in optical stabilisation with three different mode settings allows images to be sharp and in-focus at extended super-telephoto focal lengths. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. Sony FE 70-200mm f/2.8 GM OSS ($2,598): Pro-grade image quality and build. If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the Sony FE 90mm f/2.8 Macro G OSS lens. Sony FE 200-600mm f/5.6-6.3 G OSS ($1,998): Targeting amateur, enthusiast, and professional nature, aircraft, railroad, and sports shooters, the Sony FE 200-600mm f/5.6-6.3 G OSS Lens will satisfy many photographers and videographers who are looking for a bit of extra reach with their full-frame E-mount camera. Ideal lens for landscape, food, and everyday photographers. Ideal for landscapes, architecture, close up portraits, sports, action and much more. Sony FE 24mm f/1.4 GM ($1,398): Highly recommended!Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, nature, and street photography. A 10-blade diaphragm is also present for silky smooth bokeh and the electronic contacts on the rear of the lens transmit Exif data to the body as well as enable in-body image stabilization. Weighing in at just 6.4 lb, this lens is incredibly portable for glass of its size. Voigtlander 110mm f/2.5 Macro Apo-Lanthar ($498), Sigma 14-24mm f/2.8 DG DN Art Lens ($1,399), Tamron 17-28mm f/2.8 Di III RXD Lens ($899), Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348), Tamron 28-75mm f/2.8 Di III RXD Lens ($879), Sony FE 70-300mm f/4.5-5.6 G OSS ($1,198), Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498), Sony FE 200-600mm f/5.6-6.3 G OSS ($1,998), « Nikon D780 Dynamic Range Measurements at PhotonsToPhotos, Best Memory Cards for Canon EOS C300 Mark III », Canon EOS C70 Cinema Camera Announced, Price $5,499, Best MicroSD Memory Cards for GoPro HERO9 Black, Nikon NIKKOR Z 50mm f/1.2 S & Z 14-24mm f/2.8 S Lenses Officially Announced. Sony FE 90mm f/2.8 Macro G OSS Lens (B&H, Amazon). Nano AR coating is also applied to the lens to minimize lens flares, surface reflections, flare, and ghosting while increasing color fidelity and contrast when shooting in strong lighting conditions. It is a super sharp, has a surprisingly close minimum focus distance that adds to its versatility, and handles very well. The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. Get Instant Access! For a long time there were hardly any alternatives for full-format cameras with an E-Mount in the field of wide-angle lenses, but now Sony has finally added one to its range. Katana Mavic Tray Turns Your Mavic Pro Into a Full-Fledged Handheld Gimbal Camera System, NAB 2017: Blackmagic Design Adds Multi-Language Support and Scopes to Video Assist 4K, Check Out Rusty – a Short Film Entirely Shot on the URSA Mini Pro 4.6K and Pocket 6K. If you start shooting details at a wedding, food, product, or anything else that may require getting a little closer than normal you will need a macro lens eventually. It is as sharp as the f/2.8 version for less than half the cost, but not great when natural light is low. Zeiss Batis 18mm f/2.8 ($1,499): Offering incredible sharpness and color rendition, the Zeiss Batis 18mm f/2.8 lens an excellent ultra wide angle prime lens designed specifically for Sony E-mount full-frame mirrorless cameras. If you can afford it, this lens is one of the best for the range if you need something for a Sony a7III. Searching for the best lenses for Sony a7 III? The lightest in its class, weighing in at only approx. Rokinon 100mm f/2.8 Macro ($549): Featuring a macro design, this Rokinon 100mm f/2.8 Macro lens affords a 1:1 maximum magnification ratio along with a minimum focusing distance of 1′. GAS is my monthly email that features a round-up of all the previous months news, reviews and articles worth reading for Sony Alpha Shooters. Further benefitting use is built-in Optical SteadyShot image stabilization that reduces the impact of camera shake, especially at longer focal lengths. Rokinon AF 14mm f/2.8 FE ($849): An excellent performer! The optical design incorporates a both XLD and LD elements, which produce a highly corrected image with reduced chromatic aberrations and color fringing for improved clarity and color accuracy. Shooting up close at F2.8 can produce some extraordinary background bokeh. Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens (B&H, Amazon) This a good start to the list, because I think everyone should pick up a wide-angle lens sooner rather than later. 3040g, the FE 600mm F4 GM OSS features an extremely balanced design to ensure the best possible shooting experience. Created for full-frame Sony E-mount mirrorless cameras, the Sigma 14-24mm f/2.8 DG DN Art Lens provides a versatile range of wide-angle focal lengths with excellent image quality while optimizing size and weight. It is a very good mix of focal lengths and types and even includes some third-party options if you are looking beyond the pricier Sony-made optics. It can achieve this using Sony’s Extreme Aspherical (XA) and Super ED elements coupled with a fast f1.8 focal ratio and longer focal length for a shallower depth-of-field. 1. Ideal lens for travel and event photography, walkaround and family shots. Usefulness and versatility are enhanced by its compact size and light weight, measuring only 4.6 in and weighing 19.4 oz. Sony was one of the first to market with a mirrorless camera, and now offers models ranging from affordable a6100 all the way to the high-end, 60MP a7R IV. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and two XA (extreme aspherical) elements, which significantly control spherical aberrations for a high degree of image sharpness and clarity. We believe you will love it! Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. If you are looking for some help in deciding what your next lens or lenses should be you should check out this video where photographer/filmmaker Stefan Malloch showed off his five favorites. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. Here we list all the top recommended E-mount lenses for Sony a7 III mirrorless camera. Although the bokeh isn’t quite as smooth as the 85mm GM, it certainly comes very close, and it is not as large or heavy as the 85mm GM brother. Sony FE 16-35mm f/2.8 GM ($2,198): Amazing fast and flexible wide-angle zoom lens! Highly recommended! The FE 200-600mm features an aspherical element and five Extra-low Dispersion glass elements to minimize chromatic aberrations while allowing you to have better image resolution and render beautiful bokeh and it will reliably track and accurately capture all types of moving subjects including birds, wildlife, athletes in motion and much more. It’s highly recommended, though it does lack the focus switches found on pricier lenses. Sony FE 70-200mm f/4 G OSS ($1,498): The small size, versatile 35mm focal length, and outstanding overall performance of this lens make it an ideal match for compact 35mm full frame format E-mount bodies. Currently there are 23 native Wideangle Prime lenses for Sony A7R III and 15 of these lenses are autofocus (AF) type. The new lens provides outstanding corner-to-corner image quality from a maximum F1.8 aperture and its quiet autofocus and tenacious tracking performance make it a great choice for both stills and movie shooting. Zeiss Batis 25mm f/2 ($1,299): Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up imagery. Sony FE 35mm f/1.8 Lens ($748): The compact and lightweight Sony FE 35mm f/1.8 prime lens provide mobility and convenience for shooting a wide range of subjects from everyday snapshots, food photography, landscapes, night scenes and more. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture, which excels in low-light conditions and also offers increased control over depth of field. Three fluorite elements reduce chromatic aberration and one ED element further increases performance and image quality by reducing flare and ghosting while shooting in harsh conditions. The bright F1.4 maximum aperture takes the stress out of working in difficult lighting conditions, and provides shallow depth of field for greater point of focus control, while the circular 9-blade diaphragm delivers pleasing bokeh at all settings. For professional portrait photographers and those who want the very highest in quality, the new Sony FE 85mm f/1.4 GM Lens is the lens you must need and you won’t find a better FE-mount lens! Compatible with Sony’s 1.4x and 2.0x teleconverters, extending the reach to a maximum of 840mm at F9 or 1200mm at F13 with outstanding image quality and AF performance. This makes it useful for portraits and sports photography where you want to separate the subject from the background. This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. This lens sports a lightweight, weather-sealed magnesium alloy body weighing roughly 950g and a Fluorine-coated front element to resist dust and moisture. Characterized by both its fast f/2.8 maximum aperture and inclusion of OSS (Optical SteadyShot) image stabilization, this lens is ideally-suited for handheld shooting of distant and fast-moving subjects. Sony SEL50F14Z Planar T* FE 50mm F/1.4 ZA Lens: Best Overall Lens for Sony a7iii. With F1.8 brightness at wide open aperture, this lens incorporates 9 lens elements in 8 groups. Which Sony A7S III Video Mode Looks Best? The Best Sony Mirrorless Lenses for 2020. Great quality and a much better price than the native lenses. No spam. One of the competitors is Tamron with their 28-75mm f/2.8, which happens to be one of the smaller and lighter picks. Ideal for Photojournalists, sports and wedding photographers, it covers portrait-length to telephoto perspectives and it is sharp, focuses quickly, has minimal distortion. The bright f/1.4 maximum aperture takes the stress out of working in lighting conditions, and provides shallow depth of field for greater point of focus control. Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348): Excellent lens for landscape photography! A7R III also has a sensor based image stabilization system which means that all of these lenses will be stabilized when used on A7R III. If you have already got the Sony a7 III (Amazon, B&H, Adorama), the next thing is to find the best/right lenses for Sony a7 III. It wasn’t long ago that people were complaining there wasn’t a mid-range f/2.8 zoom for Sony. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. Compared to Sony Zeiss FE 55mm f/1.8, it has better low light performance and bokeh: excellent image quality, superb sharpness, smooth bokeh and well built. This lens has been specifically designed to produce extraordinarily smooth, natural bokeh without vignetting. Everything got even better when the started making autofocus lenses for Sony E. One of the best is the classic 85mm f/1.4, which costs a third of that of the Sony G Master. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. eval(ez_write_tag([[300,250],'4kshooters_net-large-leaderboard-2','ezslot_8',146,'0','0']));4. I think I would have to call out the Sony 20mm f/1.8 since it is looking like an amazing performer. Best Wide Angle Prime Lenses for Sony a7 III. The maximum f1.8 aperture yields sharp and detailed photos even in low-light conditions, while its newly rearranged dual-autofocus groups allow for a 0.7-meter minimum focus distance and x0.25 maximum magnification. Samyang/Rokinon AF 85mm f/1.4 Lens (B&H, Amazon). Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths. And it has smaller size and lower price than the Sony 50mm f/1.4. The glass is still sharp and luckily this focal length doesn’t have too many issues with distortion. Its bright f/2.8 constant maximum aperture complements this range and affords increased control over depth of field along with enhanced low-light performance. It features a compact, lightweight design for mobility, with high-performance optics and a large F1.8 maximum aperture that deliver outstanding image quality. I bought the Sony 28 f/2.0, and I like that focal length. However, you will want to double check your copy to make sure it is working right since those low prices don’t come with the best quality control. Boasting outstanding image quality from center to edge, the 14mm F1.8 Art features the largest glass mold (80mm) in the industry, offering photographers an ultra-wide prime with virtually no distortion, flare or ghosting. Sony FE 85mm f/1.4 GM ($1,798): The top FE portrait lens! 2. Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, nature, and street photography. If you want a less expensive 85mm lens, try the Zeiss Batis 85mm f/1.8. Additionally, a fast f/2.5 aperture means the lens can create an incredibly shallow depth of field as well as function well in low-light conditions. With high resolution and impressive bokeh, the new Sony FE 135mm f/1.8 GM lens features quick autofocus acquisition, all in a portable and lightweight size that’s ideal to transport on any portrait, wedding, or sports photography job. In addition, the Sony FE 1.4x & FE 2.0x Teleconverters ($548) are currently only compatible with the Sony FE 70-200mm F2.8 GM, the Sony 100-400mm F4.5-5.6 GM, the Sony 200-600mm F5.6-6.3 G, the Sony FE 400mm F2.8 GM and the Sony FE 600mm F4 GM lenses. In order to help you get a professional-like shot, here we collected the top recommended and most suitable native full-frame E-Mount lenses for Sony a7 III mirrorless camera including leading prime and zoom options from wide-angle to telephoto, which helps you choosing the exact lens of your demanding situation. It’s tack sharp, even wide open, has a unique manual focus mechanism that makes everything a bit more precise, and it’ll obviously reach that coveted 1:1 magnification ratio. Well-suited to interior, architectural, and astrophotography applications, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality and it is extremely sharp all the way to the corners. And you can unsubscribe anytime. These types of lenses allow more of the scene to be included in the frame. Ideal for general photography! UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. Sony FE 24mm f/1.4 GM ($1,398): Highly recommended! eval(ez_write_tag([[336,280],'4kshooters_net-box-3','ezslot_5',143,'0','0']));Sony’s full-frame mirrorless system has now been around long enough that there are too many lenses for any one person to be able to test out them all (unless that’s your job). Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. Sony Zeiss FE 50mm f/1.4 ($1,498): With its normal perspective, fast maximum aperture, and high-end design, the Planar T* FE 50mm f/1.4 ZA Lens from Sony is easy to see as a go-to standard optic for full-frame E-mount shooters. Ultra wide-angle lens: Sony 12-24 mm, f/4. Tamron Announces 70-300mm f/4.5-6.3 Di III RXD Full-Frame Lens, Sony Announces the a7C, a Very Compact, Travel-Friendly Full-Frame Camera, Up to a $200 Gift Card With Select Sony Cameras and Lenses at Focus Camera, Sony 200-600 G vs 100-400 GM Review & Comparison, Sony a6400 Time-lapse Setup, Recording, and Editing Guide, Sony a6400 Touch Tracking in Video Mode Setup Guide, Sony FE 90mm F2.8 Macro G OSS (SEL90M28G), Sony FE F4.5-5.6 100-400mm G Master (SEL100400GM). Benefitting the optical design is an RXD stepping motor, which enables quick, near-silent autofocus performance to suit stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5″. Rokinon AF 50mm f/1.4 FE Lens ($699): Designed specifically for Sony full frame E-mount cameras, this new high speed prime combines advanced optical technology with a fast, quiet and precise auto focus system. Sony FE 100mm f/2.8 STF GM OSS ($1,498): Delivering both smooth bokeh and fine sharpness, the Sony FE 100mm f/2.8 STF GM OSS mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. Bright f/2 maximum aperture benefits working in low-light conditions and also offers control over the focus position when using selective focus or shallow depth of field techniques. Sony a7III Wide-Angle Lenses (12mm – 35mm) A wide-angle lens generally refers to a lens that has 35mm focal length and wider on a full frame camera like the Sony a7III, with 24mm and wider lenses often being referred to as ultra-wide-angle lens. This premium lens delivers superlative image quality, and dust/moisture resistance means consistently reliable performance. The Sony a7 III is a comparatively affordable full frame mirrorless camera that incorporates a host of advanced features derived from the a9 and a7R III. Sony FE 12-24mm f/4 G Lens ($1,698): Sony’s widest full-frame E-mount lens. Sony FE 135mm f/1.8 GM ($1,898): Being part of the G Master series, this Sony FE 135mm f/1.8 GM lens is capable of rendering high-resolution images across the frame and produces pleasing bokeh that is perfect for portraits. Sony FE 24-70mm f/2.8 GM Lens ($2,198): The best 24-70mm lens! Featuring a sophisticated optical design, a series of low dispersion and aspherical elements is used to minimize both chromatic and spherical aberrations throughout the zoom range in order to achieve high sharpness, clarity, and color accuracy. This legendary 85mm F1.8 from Sony shot photos that are tack sharp at the center, notably when shot between f/2.8 and f/5.6. From an image quality standpoint, the Sony Zeiss FE 55mm f/1.8 is surprisingly impressive. They will not physically fit any other Sony E-mount lenses. Sony FE 100-400mm f/4.5-5.6 GM OSS Lens (B&H, Amazon). The fast 2.8 aperture provides great depth of field control for isolating subjects as well as maximizing performance for low-light shooting situations. Sony FE 600mm f/4 GM OSS ($12,998): Combining a super telephoto length, bright aperture, and lightweight design, the FE 600mm f/4 GM OSS Lens from Sony is designed for their E-mount cameras and is ideal for sports, news, wildlife, and nature photographers. DDSSM (Direct Drive SSM) focus drive provides fast, precise, quiet autofocus, allowing the user to concentrate fully on capturing superlative stills or movies. You can even use it for portraits if you want it to fill multiple spots in your bag. The bokeh is silky smooth and it also offers fast, precise AF drive, plus top-level control and reliability that make it an outstanding choice for professionals. Sony FE 24-240mm f/3.5-6.3 OSS ($998): Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. and compact, the Tamron 28-75mm F2.8 for Sony E-Mount delivers superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh) provided by fast F/2.8 aperture. Very popular! Ideal lens with affordable price for landscapes, architecture, close up portraits, and architectural shooting. For the past week I've been sitting here with sticker shock on how expensive the wide angles are, it will be a big investment. See the buying guide below and choose the one you need! The 50mm prime camera lens, according to many Sony A7iii users, is one of the best lenses available, which the company provides in its massive lineup of superior and high-quality optics. Reminds me of the 28mm I used a lot on my OM-1 SLR. If you do nab a good copy, it’s an amazing pick. The optical design incorporates a series of low dispersion and aspherical elements, which produce a highly corrected image with reduced spherical and chromatic aberrations for improved sharpness and clarity. Also, it has a linear autofocus motor and internal focus design that provides fast, accurate, and reliable focusing. It works for landscapes, architecture, walking-around, the occasional portrait, and plenty more. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. Required fields are marked *. An Art-series zoom, this lens is also distinguished by its fast f/2.8 constant maximum aperture to suit working in available lighting conditions. There are also plenty of very affordable ways to enter the Sony ecosystem, with the A7III being the best bang for the buck nowadays. To maximize usability this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies.